“In making a film, I start with an emotion, a feeling, a sense of a subject or a situation,” Kubrick is quoted in the exhibit, his first U.S. retrospective. “The theme and technique come as a result of the material passing, as it were, through myself and coming out of the projection lens.” What a lens it was: Kubrick gave life to his haunting scenes and uncanny visions by constantly seeking out new tools that would explode earlier limits of what could be projected onscreen. Kubrick inspired new technological leaps in film, and new technological leaps inspired Kubrick. He was a relentless innovator and tinkerer, a point the LACMA exhibit makes by stuffing a 20-foot long case of some of director’s beloved experimental lenses. His knowledge of still photography (he began his career shooting photos for Look magazine in his teens) traveled with him as he segued into film, and he found he could film exciting new perspectives by taking powerful still photography lenses and having them jury rigged onto traditional film cameras. “Kubrick always reworked his material and mise-en-scène so that the technology became essential to the telling of the story and this defines his relationship to innovation,” says Patti Podesta, a Hollywood production designer who’s worked on films such as Memento and Bobby and designed the LACMA installation. “He sought out new technologies but also had a kind of technological patience, the discipline to wait until innovation caught up to his imagination.” Check out the gallery above for a look at some of Kubrick’s signal advances. Stanley Kubrick runs at LACMA until June 30. More information here.
